28,819 Free Images of Printing Plate

etching printnational gallery of artmetropolitan museum of artyale center for british artpaperprints in the metropolitan museum of artrealismetchingetchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
Plate 70: Cephalus and Procris, from Ovid s Metamorphoses, Johann Wilhelm Baur, 1641
prints in the metropolitan museum of artrenaissance
Plate 100: The death of Orpheus, from Ovid s Metamorphoses, Johann Wilhelm Baur, 1641
prints in the metropolitan museum of artrenaissance
Le Comptoir, Louis Marcoussis, 1920/1922
prints in the museum of fine arts, houstonlouis marcoussis
Coming Out of the Hearing (first plate), Jean-Louis Forain, 1909
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
Before the Supper at Emmaus (first plate), Jean-Louis Forain, 1910
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
Coming Out of the Hearing (first plate), Jean-Louis Forain, 1909
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
The Meeting under the Arch (third plate), Jean-Louis Forain, 1910
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
Ambush (L'Embuscade), Jean-Baptiste Camille Corot, 1858
cliché-verre by jean-baptiste-camille corot in the national gallery of artrealism,barbizon school
Ennui (The Medium Plate), Walter Sickert
post-impressionismwalter sickert
Chagford (The Small Plate), Walter Sickert, circa 1916
post-impressionismwalter sickert
Whiting fishing at Margate (The Small Plate), Thomas Goff Lupton, between 1829 and 1834
mezzotint prints in the yale center for british artthomas goff lupton
A Little Cheque (The Small Plate), Walter Sickert, 1915
post-impressionismwalter sickert
Scotia Depicta - Glencoe [Plate], John Claude Nattes, 1804
glencoe, highlandscotia depicta
Plate 3: Captain of Army of Chalchis - *Magnificent Pageant on Arno*, Remigio Cantagallina, 1664
prints in the metropolitan museum of artworks after remigio cantagallina
The Meeting under the Arch (first plate), Jean-Louis Forain, 1910
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
The Crucifixion: Small Plate, Rembrandt, circa 1635
prints by rembrandt in the national gallery of art (washington, d.c.)dutch golden age painting
The Return of the Prodigal Son (third plate), Jean-Louis Forain, 1909
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
The Lawyer Talking to the Prisoner (second plate), Jean-Louis Forain, 1909
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
Lithographic plate with engravings to the publication "Clothing in Poland 1200–1795. Published by Jan Matejko. Printed in Lithogr. by M. Salba / Second edition 1875." Title page, Jan Matejko, 1875
prints in the national museum in kraków1875 prints
Egg-sellers, 2nd plate, Alphonse Legros
prints in the national gallery of art (washington, d.c.)realism
Plate 16: Apollo Killing Coronis (Appolinis sagitta Coronis transfigitur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 95: The Death of Hyacinthus (Hyacinthi cruor in florem sui nominis), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 5: Psyche carried on a litter to a mountain, from 'The Fable of Psyche', Master of the Die, 1530–60
story of cupid and psyche designed by michiel coxieprints by master of the die
Egg-sellers, 1st plate, Alphonse Legros
prints in the national gallery of art (washington, d.c.)realism
Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 96: Venus and Adonis Embracing (Perditè a Venere adamatur Adonis), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Zelfportret met pijp, RP-P-1953-490, Marcellin Desboutin, 1898
portraits of marcellin desboutinprints by marcellin desboutin
John Griffiths by Samuel Cousins, after George Frederic Watts, 1854
academic art,symbolism1806 births
Landscape with ruins, architecture and figures, Plate 7, Frans Geffels, between 1659 and 1671
landscape with ruins, architecture and figures by frans geffelsbaroque
Landscape with ruins, architecture and figures, Plate 6, Frans Geffels, between 1659 and 1671
landscape with ruins, architecture and figures by frans geffelsbaroque
Plate 6: Zephir carrying off Psyche to an enchanted palace, from 'The Fable of Psyche', Master of the Die, 1530–60
prints by master of the dieprints by antonio salamanca
The bonnet., 1891
nypl the miriam and ira d. wallach division of art, prints and photographs: print collectionsamuel putnam avery collection
Landscape with ruins, architecture and figures, Plate 4, Frans Geffels, between 1659 and 1671
landscape with ruins, architecture and figures by frans geffelsbaroque
Plate 13: buffalo lying down, from 'Various animals' (Diversi animali), Stefano della Bella, circa 1641
prints by stefano della bella in the metropolitan museum of artbaroque
Self-Portrait, 13th plate, Alphonse Legros, 1906
prints in the national gallery of art (washington, d.c.)realism
Self-Portrait, 3rd plate, Alphonse Legros, 1880
prints in the national gallery of art (washington, d.c.)realism
Self-Portrait, 3rd plate, Alphonse Legros, 1880
prints in the national gallery of art (washington, d.c.)realism
Eagle with Galaxy of Polish Kings., Matthäus Merian, circa 1625
engravings by matthäus merianbaroque
The mandolin player., 1889
nypl the miriam and ira d. wallach division of art, prints and photographs: print collectionsamuel putnam avery collection
Stående model set forfra, Henry Nielsen, 1934
prints by henry nielsen (painter) in the statens museum for kunstbrush lithography on zinc plate
Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate), James McNeill Whistler, 1854–55
etchings by james mcneill whistleraestheticism
Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne), Alphonse Legros
prints in the national gallery of art (washington, d.c.)realism
Woods in Winter Sun, 1st plate, Alphonse Legros
prints in the national gallery of art (washington, d.c.)realism
Plate 6: A young man embracing a girl; from Icones ad vivum expressae after Giovanni Battista Piazzetta, Giovanni Cattini, 1743
prints in the metropolitan museum of artgiovanni cattini
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622, Frederick Christian Lewis, 1802
etchings in the yale center for british artfrederick christian lewis
Print, satirical print, William Hogarth, 1747
prints by william hogarth in the british museumrealism
Fashion Plate (A Walking Dress, or Carriage Costume), Rudolph Ackermann, February 1811
fashion plates in the los angeles county museum of artfashion in 1811
Plate 3: Boy with a hat touching the face of a girl; from Icones ad vivum expressae after Giovanni Battista Piazzetta, Giovanni Cattini, 1743
prints in the metropolitan museum of artgiovanni cattini
Plate 10: Old woman with a rosary and a boy counting coins; from Icones ad vivum expressae after Giovanni Battista Piazzetta, Giovanni Cattini, 1743
prints in the metropolitan museum of artgiovanni cattini
Scotia Depicta - Register Office [Plate], John Claude Nattes, 1804
edinburgh castle from princes streetscotia depicta
Scotia Depicta - View on the River Divie [Plate], John Claude Nattes, 1804
scotia depictamoray
Peleo and Talamone - *Le Manifique Carousel*, Grand Duke’s Marriage, Plate 7, Remigio Cantagallina, 1664
prints in the metropolitan museum of arttelamon
Scotia Depicta - Saint Bernards Well [Plate], John Claude Nattes, 1804
buildings in edinburghscotia depicta
Landscape with Sail Boats [bottom plate], Augustin Hirschvogel, 1546
etchings in the national gallery of art (washington, d.c.)german renaissance
Le Carceri d'Invenzione, plate V: The Lion Bas-Reliefs, Giovanni Battista Piranesi, 1761
le carceri d'invenzione (second edition, 1761)neoclassicism
Plate 29: bust of a laughing satyr, facing left in profile, from 'Various portraits' (Recueil de diverses pièces servant à l'art de portraiture), Stefano della Bella, circa 1647
prints by stefano della bella in the metropolitan museum of artbaroque
Deer (Les Cerfs), Charles-François Daubigny, 1862
les cerfs, cliché-verre by charles-françois daubignybarbizon school
The First Book of Urizen, Plate 3 (Bentley 22), William Blake, 1794
the book of urizen - bentley 22romanticism,fairy painting
Book Plate, William Baillie
prints in the aberdeen archives, gallery and museums collectionwilliam baillie (engraver)
Coursing, Plate 1, Samuel Howitt, 1812
etchings in the yale center for british artsamuel howitt
Coursing, Plate 3, Samuel Howitt, 1812
etchings in the yale center for british artsamuel howitt
Dutch School, Plate 2, Samuel William Reynolds, 1825
etchings in the yale center for british artsamuel william reynolds
Coursing, Plate 4, Samuel Howitt, 1812
etchings in the yale center for british artsamuel howitt
Coursing, Plate 2, Samuel Howitt, 1812
etchings in the yale center for british artsamuel howitt
Self-portrait, Charles Verlat, 1882
prints by charles verlatrealism
The Invasion, Plate II, England, William Hogarth, 1768
etchings in the yale center for british artrealism
The Invasion, Plate II, England, William Hogarth, 1833
etchings in the yale center for british artrealism
Two pheasants and a dog, Charles Verlat, circa 1882
prints by charles verlatrealism
The Invasion, Plate II, England, William Hogarth, 1833
etchings in the yale center for british artrealism
Kensington Gardens, no. 1 (small plate), Francis Seymour Haden, 1859
drypoint prints in the yale center for british artfrancis seymour haden
Kensington Gardens, no. 2 (large plate), Francis Seymour Haden, 1860
drypoint prints in the yale center for british artfrancis seymour haden
Solway Moss (Liber Studiorum, part XI, plate 52), Thomas Goff Lupton, 1 January 1816
engravings after joseph mallord william turnerrogers fund
Kensington Gardens, no. 2 (large plate), Francis Seymour Haden, 1860
drypoint prints in the yale center for british artfrancis seymour haden
Lesser Sulphur-crested Cockatoo (Plate 4), Edward Lear, 1832
lithograph prints in the yale center for british artbird illustrations by edward lear
Print, Salvator Rosa, 1662
prints in the british museumbaroque
Fashion Plate (Evening Dress), Rudolph Ackermann, November 1816
fashion plates in the los angeles county museum of artackermann's repository of arts - fashion plates
Entry of M. de Couvonge and M. de Chalabre [extra plate], Jacques Callot, 1627
prints by jacques callot in the national gallery of artetching print
The Road to Emmaus (second plate), Jean-Louis Forain, 1902/1907
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
Entry of M. de Couvonge and M. de Chalabre [extra plate], Jacques Callot, 1627
prints by jacques callot in the national gallery of artetching print
The Road to Emmaus (first plate), Jean-Louis Forain, 1902/1907
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
Lourdes, the Paralytic (second plate), Jean-Louis Forain, 1912/1913
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
Death and the Woodcutter, 3rd plate (La mort et le bucheron), Alphonse Legros
etchings in the national gallery of art (washington, d.c.)realism
The Adulteress (third plate, Jean-Louis Forain, 1910
prints in the national gallery of art (washington, d.c.)prints by jean-louis forain
Plate VI, Human Body, Frontal View, George Stubbs, 1804
stipple engravings in the yale center for british artromanticism
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Plate VII, Human Body, Lateral View, George Stubbs, 1804
stipple engravings in the yale center for british artromanticism
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
A Young Mother at the Entrance to a Wood, Jean-Baptiste Camille Corot, 1856
realism,barbizon schoolgenre cliché-verre
Print, Plate IV, vol. II of "Le Antichita Romane", 1756, Giovanni Battista Piranesi
etchings by giovanni battista piranesineoclassicism
A view of Ouscottah, from an Eadgah, James Hunter, 1804
british library asia, pacific and africa collectionspicturesque scenery in the kingdom of mysore
Luchon (View taken from the edge of the lake), Pierre Gorse
parc des quinconces (bagnères-de-luchon)bagnères-de-luchon in art
Songs of Innocence and of Experience: Little Black Boy (second plate), William Blake, circa 1825
songs of innocence and experience - copy yromanticism,fairy painting
Songs of Innocence and of Experience: The Little Girl Found (second plate), William Blake, circa 1825
songs of innocence and experience - copy yromanticism,fairy painting
Fashion Plate (Evening Mourning Dress), Rudolph Ackermann, December 1810
mourning women in artfashion in 1810
Plate X, Fowl Body, Lateral View, George Stubbs, 1804
engravings in the yale center for british artromanticism
Print, Grotesque Panel, plate 7, ca. 1647, Michel Dorigny, circa 1647
michel dorignyclassicism
Plate VIII, Human Body, Posterior View, George Stubbs, 1804
engravings in the yale center for british artromanticism
The Emanuel Volume: Plate 1 from Views in Paris; View of the Thuilleries and Bridge, taken from the Quai d'Orsay, Frederick Christian Lewis, 1802
etchings in the yale center for british artfrederick christian lewis
Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse, James Gillray, 1798
etchings in the yale center for british artjames gillray
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